Click mouse button to take a picture. Aim carefully, you only have 60 exposures in your camera. Safari mode consists of 6 levels. For each level you will be given a mission and a time limit. Finish all 6 levels to win the game.

1.[anime] Cord Gias op Mozaiku Kakera- SunSet Swish! 2.[anime] Fullmetal Alchemist 2 op Again - Yui 3.[PS2] higurasino nakukoroni maturi op Nageki no mori - Ayane 4.[CD] majesticai parade Melody- night mare 5.[anime] Gumdam Unlimited Sky - Tommy heavenly6 6.[anime] NEON GENESIS EVAMGELION Soul’s Refrain - Yoko Takahashi 7.[anime] Toaru majyutu no index op Masterpiece - mami kawata(I've sound) 8.[anime] Macross F What 'bout my star? - Ai Nakajima 9.[anime] Cord Gias R2 op O2 - ORANGE RANGE 10.[anime] Fullmetal Alchemist op Melissa - Porno Graffitti 11.[OVA] Gundam 08 MS Arashi no Naka de Kagayaite - Chihiro Yonekura 12.[anime] EUREKA op Days - FLOW 13.[anime] Cord Gias R2 op Colors - FLOW 14.[movie] NaNa GLAMALAS SKY - Mika Nakajima

Peter Andre - Behind Closed Doors Lyrics and Music Video. Behind Closed Doors is the first single by English singersongwriter, Peter Andre from his forthcoming sixth solo studio album, Control. The song had its first airplay on Chris Moyless BBC Radio 1 show and was released on August 10, 2009. Andre wrote the song himself and has said he loves the feel of it. [LYRICS] You think you've got me figured out You think you know what I'm about Don't believe what you read Half of the things you see Thought youd figured this out by now (And who would have known) That our life could be so exposed Where we will end up nobody knows what do we know, what what do we know Behind closed doors Behind closed doors You cant imagine Behind closed doors is where it happens behind closed doors That's where the truth is That's where the life is That's where I'm hiding .. behind closed doors (behind closed doors) Behind closed doors (behind closed doors) Behind closed doors There's a man who lives in the street Tryina to find his way (whoa oh) then i figured hed found the best way to escape (whoa oh) His addiction cost him everything Guess he thougt it helped him hide the pain And who would have known Has a wife, two kids and a three story home Got all these things yet hes still alone What do we know, what do we know Behind closed doors (Behind closed doors) Behind closed doors (Behind closed doors) Behind closed doors (Behind closed doors) That's were the truth is That's were the life is And you try and you try But no one hears you cry Deep inside all you hope is the truth But no mind to the lies Keep you rising for prising And then all you have is you Behind closed doors Behind closed doors Behind closed doors (you can't imagine) who would have known Behind closed doors (you can't imagine) Nobody knows Behind closed doors That's were the truth is That's were the life is That's where I'm hiding .. behind closed doors (behind closed doors) Behind closed doors (behind closed doors) Nobody knows Behind closed doors

Episode 117 : Les sens de Nami en alerte ! L'exposion du ClimaTact

inuyasha episode 116 english dubbed-The Exposed Face of Truth

http://www.thecadillacking.com Jay-Z - What We Talkin' About [Ft. Luke Steele] The Blueprint 3 During The Blueprint 3s opening salvo What We Talkin About?, Jay-Z spits, I dont run rap no more; I run the map. Its a typical top-of-the-world boast that Jay has been spewing since 1998, but in some respects, it feels like hes finally earned it. Hes not only the biggest rapper of all time (by far), but hes also one of the last big pop stars -- a rapper whom even your mom knows and whose every album is an event to be reckoned with. Its hard to imagine a new 50 Cent album, or even a new Lady Gaga album, being subject to a kind of hype that includes blog posts that boast exclusive looks at the scanned CD booklet. In other words, Jay-Z is right. The increased exposure of a marriage to Beyonce and a largely unchallenged rap-king throne (at least since Nas dropped Ether) hangs heavy over Jay-Zs 11th album, The Blueprint 3. A return to The Blueprint brand is supposed to signal a recommitment by Jay-Z to the street-wise but pop-friendly auspices of the first two Blueprint albums. Instead it serves as a better version of Kingdom Come, Jays much-maligned comeback album, which found him struggling to find relevant non-drug related things to say apart from how people who hate him are losers and how hes got more money than the U.S. Treasury. The Blueprint 3 starts well enough. Its first half is good to great, starting with the Empire of the Sun-featuring What We Talkin About? and running through the the futuristic zoom-bip of the Swizz Beatz-produced On to the Next One. Lead single D.O.A. (Death of Auto-Tune) sounds better in context, where its crotchety assertions about hating iTunes, Auto-Tuners and ringtone rappers fit in between the fan-thanking Thank You and the boastful Run This Town (which features a fire Kanye verse that far outshines Jays). A never-better Young Jeezy trades increasingly entertaining verses with Jay over a horn-heavy Incredibles-produced beat on Real As It Gets. On joyous album highlight Empire State of Mind, Jay references Nas NY State of Mind, but instead of a nightmare hellscape, Jays New York is a place of fast streets, sports teams and fulfilled dreams. But around the time we get to the Timbaland-produced, Limbaugh-dissing, Drake-featuring Off That, a song about how far ahead of the curve Jay is, the album's quality falls off considerably. (You can make the case that The Blueprint 3 would be better as an EP, with the back half of the album trashed.) Jay runs through raps recent history on A Star is Born, a track with the startling revelations that Eminem was great when he came out, Andre 3000 is really ill, Wu-Tang Clan had a hell of a run, and that Jay is the biggest rapper in the world. The abysmal Venus VS. Mars has Jay delivering cliché-heavy my girl is different than me (example: Shorty like Pac/ Me, Big Poppa) verses over a recycled Timbaland beat. The closing four-track run of Hate through the incredibly corny Young Forever, a Mr. Hudson-featuring clunker, may be the weakest stretch on any Jay-Z album, with the Neptunes produced, Pharrell-produced So Ambitious winning the contest for the worst Neptunes-related track not on any of N.E.R.D.s three albums. But really, the music hasnt meant much in relationship to the Jay-Z brand since The Black Album -- the multi-million dollar endorsement deals and business expansions have meant more since then. 2007s American Gangster was an anomaly; the guy was only able to go back to his creative coke-rap well under the auspices of a concept album. Albums like Kingdom Come and The Blueprint 3 are Jays norm now. That is to say, the guy could keep doing half-assed records like this until 2030, and hell still be able to call himself the most popular rapper of all time. Hes like a classic rock group (like, say, U2) in that respect; we expect him to keep delivering same-old, same-old new music, but were not going to like it more than we liked Reasonable Doubt, The Blueprint, or Vol. 2. *** Track list Disc 1 1What We Talkin' About ft. Luke Steele of Empire of the Sun 2Thank You 3D.O.A. (Death of Auto-Tune) 4Run This Town ft. Kanye West and Rihanna 5Empire State of Mind ft. Alicia Keys 6Real As It Gets ft Young Jeezy 7On To the Next One ft. Swizz Beatz 8Off That ft. Drake 9A Star is Bortn ft. J. Cole 10Venus VS. Mars 11Already Home ft. Kid Cudi 12Hate ft. Kanye West 13Reminder 14So Ambitious ft. Pharrell 15Young Forever ft. Mr. Hudson Keywords: Jay Z What We Talkin' About Ft Luke Steele (The Blueprint 3) - 01

http://www.thecadillacking.com Jay-Z - D.O.A. [Death Of Auto-Tune] [Ft. Luke Steele] The Blueprint 3 During The Blueprint 3s opening salvo What We Talkin About?, Jay-Z spits, I dont run rap no more; I run the map. Its a typical top-of-the-world boast that Jay has been spewing since 1998, but in some respects, it feels like hes finally earned it. Hes not only the biggest rapper of all time (by far), but hes also one of the last big pop stars -- a rapper whom even your mom knows and whose every album is an event to be reckoned with. Its hard to imagine a new 50 Cent album, or even a new Lady Gaga album, being subject to a kind of hype that includes blog posts that boast exclusive looks at the scanned CD booklet. In other words, Jay-Z is right. The increased exposure of a marriage to Beyonce and a largely unchallenged rap-king throne (at least since Nas dropped Ether) hangs heavy over Jay-Zs 11th album, The Blueprint 3. A return to The Blueprint brand is supposed to signal a recommitment by Jay-Z to the street-wise but pop-friendly auspices of the first two Blueprint albums. Instead it serves as a better version of Kingdom Come, Jays much-maligned comeback album, which found him struggling to find relevant non-drug related things to say apart from how people who hate him are losers and how hes got more money than the U.S. Treasury. The Blueprint 3 starts well enough. Its first half is good to great, starting with the Empire of the Sun-featuring What We Talkin About? and running through the the futuristic zoom-bip of the Swizz Beatz-produced On to the Next One. Lead single D.O.A. (Death of Auto-Tune) sounds better in context, where its crotchety assertions about hating iTunes, Auto-Tuners and ringtone rappers fit in between the fan-thanking Thank You and the boastful Run This Town (which features a fire Kanye verse that far outshines Jays). A never-better Young Jeezy trades increasingly entertaining verses with Jay over a horn-heavy Incredibles-produced beat on Real As It Gets. On joyous album highlight Empire State of Mind, Jay references Nas NY State of Mind, but instead of a nightmare hellscape, Jays New York is a place of fast streets, sports teams and fulfilled dreams. But around the time we get to the Timbaland-produced, Limbaugh-dissing, Drake-featuring Off That, a song about how far ahead of the curve Jay is, the album's quality falls off considerably. (You can make the case that The Blueprint 3 would be better as an EP, with the back half of the album trashed.) Jay runs through raps recent history on A Star is Born, a track with the startling revelations that Eminem was great when he came out, Andre 3000 is really ill, Wu-Tang Clan had a hell of a run, and that Jay is the biggest rapper in the world. The abysmal Venus VS. Mars has Jay delivering cliché-heavy my girl is different than me (example: Shorty like Pac/ Me, Big Poppa) verses over a recycled Timbaland beat. The closing four-track run of Hate through the incredibly corny Young Forever, a Mr. Hudson-featuring clunker, may be the weakest stretch on any Jay-Z album, with the Neptunes produced, Pharrell-produced So Ambitious winning the contest for the worst Neptunes-related track not on any of N.E.R.D.s three albums. But really, the music hasnt meant much in relationship to the Jay-Z brand since The Black Album -- the multi-million dollar endorsement deals and business expansions have meant more since then. 2007s American Gangster was an anomaly; the guy was only able to go back to his creative coke-rap well under the auspices of a concept album. Albums like Kingdom Come and The Blueprint 3 are Jays norm now. That is to say, the guy could keep doing half-assed records like this until 2030, and hell still be able to call himself the most popular rapper of all time. Hes like a classic rock group (like, say, U2) in that respect; we expect him to keep delivering same-old, same-old new music, but were not going to like it more than we liked Reasonable Doubt, The Blueprint, or Vol. 2. *** Track list Disc 1 1What We Talkin' About ft. Luke Steele of Empire of the Sun 2Thank You 3D.O.A. (Death of Auto-Tune) 4Run This Town ft. Kanye West and Rihanna 5Empire State of Mind ft. Alicia Keys 6Real As It Gets ft Young Jeezy 7On To the Next One ft. Swizz Beatz 8Off That ft. Drake 9A Star is Bortn ft. J. Cole 10Venus VS. Mars 11Already Home ft. Kid Cudi 12Hate ft. Kanye West 13Reminder 14So Ambitious ft. Pharrell 15Young Forever ft. Mr. Hudson Keywords: Jay Z What We Talkin' About Ft Luke Steele (The Blueprint 3) - 01

http://www.thecadillacking.com Jay Z So Ambitious Ft Pharrell The Blueprint 3 - Track 14 During The Blueprint 3s opening salvo What We Talkin About?, Jay-Z spits, I dont run rap no more; I run the map. Its a typical top-of-the-world boast that Jay has been spewing since 1998, but in some respects, it feels like hes finally earned it. Hes not only the biggest rapper of all time (by far), but hes also one of the last big pop stars -- a rapper whom even your mom knows and whose every album is an event to be reckoned with. Its hard to imagine a new 50 Cent album, or even a new Lady Gaga album, being subject to a kind of hype that includes blog posts that boast exclusive looks at the scanned CD booklet. In other words, Jay-Z is right. The increased exposure of a marriage to Beyonce and a largely unchallenged rap-king throne (at least since Nas dropped Ether) hangs heavy over Jay-Zs 11th album, The Blueprint 3. A return to The Blueprint brand is supposed to signal a recommitment by Jay-Z to the street-wise but pop-friendly auspices of the first two Blueprint albums. Instead it serves as a better version of Kingdom Come, Jays much-maligned comeback album, which found him struggling to find relevant non-drug related things to say apart from how people who hate him are losers and how hes got more money than the U.S. Treasury. The Blueprint 3 starts well enough. Its first half is good to great, starting with the Empire of the Sun-featuring What We Talkin About? and running through the the futuristic zoom-bip of the Swizz Beatz-produced On to the Next One. Lead single D.O.A. (Death of Auto-Tune) sounds better in context, where its crotchety assertions about hating iTunes, Auto-Tuners and ringtone rappers fit in between the fan-thanking Thank You and the boastful Run This Town (which features a fire Kanye verse that far outshines Jays). A never-better Young Jeezy trades increasingly entertaining verses with Jay over a horn-heavy Incredibles-produced beat on Real As It Gets. On joyous album highlight Empire State of Mind, Jay references Nas NY State of Mind, but instead of a nightmare hellscape, Jays New York is a place of fast streets, sports teams and fulfilled dreams. But around the time we get to the Timbaland-produced, Limbaugh-dissing, Drake-featuring Off That, a song about how far ahead of the curve Jay is, the album's quality falls off considerably. (You can make the case that The Blueprint 3 would be better as an EP, with the back half of the album trashed.) Jay runs through raps recent history on A Star is Born, a track with the startling revelations that Eminem was great when he came out, Andre 3000 is really ill, Wu-Tang Clan had a hell of a run, and that Jay is the biggest rapper in the world. The abysmal Venus VS. Mars has Jay delivering cliché-heavy my girl is different than me (example: Shorty like Pac/ Me, Big Poppa) verses over a recycled Timbaland beat. The closing four-track run of Hate through the incredibly corny Young Forever, a Mr. Hudson-featuring clunker, may be the weakest stretch on any Jay-Z album, with the Neptunes produced, Pharrell-produced So Ambitious winning the contest for the worst Neptunes-related track not on any of N.E.R.D.s three albums. But really, the music hasnt meant much in relationship to the Jay-Z brand since The Black Album -- the multi-million dollar endorsement deals and business expansions have meant more since then. 2007s American Gangster was an anomaly; the guy was only able to go back to his creative coke-rap well under the auspices of a concept album. Albums like Kingdom Come and The Blueprint 3 are Jays norm now. That is to say, the guy could keep doing half-assed records like this until 2030, and hell still be able to call himself the most popular rapper of all time. Hes like a classic rock group (like, say, U2) in that respect; we expect him to keep delivering same-old, same-old new music, but were not going to like it more than we liked Reasonable Doubt, The Blueprint, or Vol. 2. *** Track list Disc 1 1What We Talkin' About ft. Luke Steele of Empire of the Sun 2Thank You 3D.O.A. (Death of Auto-Tune) 4Run This Town ft. Kanye West and Rihanna 5Empire State of Mind ft. Alicia Keys 6Real As It Gets ft Young Jeezy 7On To the Next One ft. Swizz Beatz 8Off That ft. Drake 9A Star is Bortn ft. J. Cole 10Venus VS. Mars 11Already Home ft. Kid Cudi 12Hate ft. Kanye West 13Reminder 14So Ambitious ft. Pharrell 15Young Forever ft. Mr. Hudson Keywords: Jay Z What We Talkin' About Ft Luke Steele (The Blueprint 3) - 01

http://www.thecadillacking.com Jay Z Already Home Ft Kid Cudi The Blueprint 3 The Blueprint 3 During The Blueprint 3s opening salvo What We Talkin About?, Jay-Z spits, I dont run rap no more; I run the map. Its a typical top-of-the-world boast that Jay has been spewing since 1998, but in some respects, it feels like hes finally earned it. Hes not only the biggest rapper of all time (by far), but hes also one of the last big pop stars -- a rapper whom even your mom knows and whose every album is an event to be reckoned with. Its hard to imagine a new 50 Cent album, or even a new Lady Gaga album, being subject to a kind of hype that includes blog posts that boast exclusive looks at the scanned CD booklet. In other words, Jay-Z is right. The increased exposure of a marriage to Beyonce and a largely unchallenged rap-king throne (at least since Nas dropped Ether) hangs heavy over Jay-Zs 11th album, The Blueprint 3. A return to The Blueprint brand is supposed to signal a recommitment by Jay-Z to the street-wise but pop-friendly auspices of the first two Blueprint albums. Instead it serves as a better version of Kingdom Come, Jays much-maligned comeback album, which found him struggling to find relevant non-drug related things to say apart from how people who hate him are losers and how hes got more money than the U.S. Treasury. The Blueprint 3 starts well enough. Its first half is good to great, starting with the Empire of the Sun-featuring What We Talkin About? and running through the the futuristic zoom-bip of the Swizz Beatz-produced On to the Next One. Lead single D.O.A. (Death of Auto-Tune) sounds better in context, where its crotchety assertions about hating iTunes, Auto-Tuners and ringtone rappers fit in between the fan-thanking Thank You and the boastful Run This Town (which features a fire Kanye verse that far outshines Jays). A never-better Young Jeezy trades increasingly entertaining verses with Jay over a horn-heavy Incredibles-produced beat on Real As It Gets. On joyous album highlight Empire State of Mind, Jay references Nas NY State of Mind, but instead of a nightmare hellscape, Jays New York is a place of fast streets, sports teams and fulfilled dreams. But around the time we get to the Timbaland-produced, Limbaugh-dissing, Drake-featuring Off That, a song about how far ahead of the curve Jay is, the album's quality falls off considerably. (You can make the case that The Blueprint 3 would be better as an EP, with the back half of the album trashed.) Jay runs through raps recent history on A Star is Born, a track with the startling revelations that Eminem was great when he came out, Andre 3000 is really ill, Wu-Tang Clan had a hell of a run, and that Jay is the biggest rapper in the world. The abysmal Venus VS. Mars has Jay delivering cliché-heavy my girl is different than me (example: Shorty like Pac/ Me, Big Poppa) verses over a recycled Timbaland beat. The closing four-track run of Hate through the incredibly corny Young Forever, a Mr. Hudson-featuring clunker, may be the weakest stretch on any Jay-Z album, with the Neptunes produced, Pharrell-produced So Ambitious winning the contest for the worst Neptunes-related track not on any of N.E.R.D.s three albums. But really, the music hasnt meant much in relationship to the Jay-Z brand since The Black Album -- the multi-million dollar endorsement deals and business expansions have meant more since then. 2007s American Gangster was an anomaly; the guy was only able to go back to his creative coke-rap well under the auspices of a concept album. Albums like Kingdom Come and The Blueprint 3 are Jays norm now. That is to say, the guy could keep doing half-assed records like this until 2030, and hell still be able to call himself the most popular rapper of all time. Hes like a classic rock group (like, say, U2) in that respect; we expect him to keep delivering same-old, same-old new music, but were not going to like it more than we liked Reasonable Doubt, The Blueprint, or Vol. 2. *** Track list Disc 1 1What We Talkin' About ft. Luke Steele of Empire of the Sun 2Thank You 3D.O.A. (Death of Auto-Tune) 4Run This Town ft. Kanye West and Rihanna 5Empire State of Mind ft. Alicia Keys 6Real As It Gets ft Young Jeezy 7On To the Next One ft. Swizz Beatz 8Off That ft. Drake 9A Star is Bortn ft. J. Cole 10Venus VS. Mars 11Already Home ft. Kid Cudi 12Hate ft. Kanye West 13Reminder 14So Ambitious ft. Pharrell 15Young Forever ft. Mr. Hudson Keywords: Jay Z What We Talkin' About Ft Luke Steele (The Blueprint 3) - 01

http://www.thecadillacking.com Jay Z A Star Is Born Ft J Cole The Blueprint 3 During The Blueprint 3s opening salvo What We Talkin About?, Jay-Z spits, I dont run rap no more; I run the map. Its a typical top-of-the-world boast that Jay has been spewing since 1998, but in some respects, it feels like hes finally earned it. Hes not only the biggest rapper of all time (by far), but hes also one of the last big pop stars -- a rapper whom even your mom knows and whose every album is an event to be reckoned with. Its hard to imagine a new 50 Cent album, or even a new Lady Gaga album, being subject to a kind of hype that includes blog posts that boast exclusive looks at the scanned CD booklet. In other words, Jay-Z is right. The increased exposure of a marriage to Beyonce and a largely unchallenged rap-king throne (at least since Nas dropped Ether) hangs heavy over Jay-Zs 11th album, The Blueprint 3. A return to The Blueprint brand is supposed to signal a recommitment by Jay-Z to the street-wise but pop-friendly auspices of the first two Blueprint albums. Instead it serves as a better version of Kingdom Come, Jays much-maligned comeback album, which found him struggling to find relevant non-drug related things to say apart from how people who hate him are losers and how hes got more money than the U.S. Treasury. The Blueprint 3 starts well enough. Its first half is good to great, starting with the Empire of the Sun-featuring What We Talkin About? and running through the the futuristic zoom-bip of the Swizz Beatz-produced On to the Next One. Lead single D.O.A. (Death of Auto-Tune) sounds better in context, where its crotchety assertions about hating iTunes, Auto-Tuners and ringtone rappers fit in between the fan-thanking Thank You and the boastful Run This Town (which features a fire Kanye verse that far outshines Jays). A never-better Young Jeezy trades increasingly entertaining verses with Jay over a horn-heavy Incredibles-produced beat on Real As It Gets. On joyous album highlight Empire State of Mind, Jay references Nas NY State of Mind, but instead of a nightmare hellscape, Jays New York is a place of fast streets, sports teams and fulfilled dreams. But around the time we get to the Timbaland-produced, Limbaugh-dissing, Drake-featuring Off That, a song about how far ahead of the curve Jay is, the album's quality falls off considerably. (You can make the case that The Blueprint 3 would be better as an EP, with the back half of the album trashed.) Jay runs through raps recent history on A Star is Born, a track with the startling revelations that Eminem was great when he came out, Andre 3000 is really ill, Wu-Tang Clan had a hell of a run, and that Jay is the biggest rapper in the world. The abysmal Venus VS. Mars has Jay delivering cliché-heavy my girl is different than me (example: Shorty like Pac/ Me, Big Poppa) verses over a recycled Timbaland beat. The closing four-track run of Hate through the incredibly corny Young Forever, a Mr. Hudson-featuring clunker, may be the weakest stretch on any Jay-Z album, with the Neptunes produced, Pharrell-produced So Ambitious winning the contest for the worst Neptunes-related track not on any of N.E.R.D.s three albums. But really, the music hasnt meant much in relationship to the Jay-Z brand since The Black Album -- the multi-million dollar endorsement deals and business expansions have meant more since then. 2007s American Gangster was an anomaly; the guy was only able to go back to his creative coke-rap well under the auspices of a concept album. Albums like Kingdom Come and The Blueprint 3 are Jays norm now. That is to say, the guy could keep doing half-assed records like this until 2030, and hell still be able to call himself the most popular rapper of all time. Hes like a classic rock group (like, say, U2) in that respect; we expect him to keep delivering same-old, same-old new music, but were not going to like it more than we liked Reasonable Doubt, The Blueprint, or Vol. 2. *** Track list Disc 1 1What We Talkin' About ft. Luke Steele of Empire of the Sun 2Thank You 3D.O.A. (Death of Auto-Tune) 4Run This Town ft. Kanye West and Rihanna 5Empire State of Mind ft. Alicia Keys 6Real As It Gets ft Young Jeezy 7On To the Next One ft. Swizz Beatz 8Off That ft. Drake 9A Star is Bortn ft. J. Cole 10Venus VS. Mars 11Already Home ft. Kid Cudi 12Hate ft. Kanye West 13Reminder 14So Ambitious ft. Pharrell 15Young Forever ft. Mr. Hudson Keywords: Jay Z What We Talkin' About Ft Luke Steele (The Blueprint 3) - 01

http://www.thecadillacking.com Jay Z Reminder The Blueprint 3 Track 13 The Blueprint 3 During The Blueprint 3s opening salvo What We Talkin About?, Jay-Z spits, I dont run rap no more; I run the map. Its a typical top-of-the-world boast that Jay has been spewing since 1998, but in some respects, it feels like hes finally earned it. Hes not only the biggest rapper of all time (by far), but hes also one of the last big pop stars -- a rapper whom even your mom knows and whose every album is an event to be reckoned with. Its hard to imagine a new 50 Cent album, or even a new Lady Gaga album, being subject to a kind of hype that includes blog posts that boast exclusive looks at the scanned CD booklet. In other words, Jay-Z is right. The increased exposure of a marriage to Beyonce and a largely unchallenged rap-king throne (at least since Nas dropped Ether) hangs heavy over Jay-Zs 11th album, The Blueprint 3. A return to The Blueprint brand is supposed to signal a recommitment by Jay-Z to the street-wise but pop-friendly auspices of the first two Blueprint albums. Instead it serves as a better version of Kingdom Come, Jays much-maligned comeback album, which found him struggling to find relevant non-drug related things to say apart from how people who hate him are losers and how hes got more money than the U.S. Treasury. The Blueprint 3 starts well enough. Its first half is good to great, starting with the Empire of the Sun-featuring What We Talkin About? and running through the the futuristic zoom-bip of the Swizz Beatz-produced On to the Next One. Lead single D.O.A. (Death of Auto-Tune) sounds better in context, where its crotchety assertions about hating iTunes, Auto-Tuners and ringtone rappers fit in between the fan-thanking Thank You and the boastful Run This Town (which features a fire Kanye verse that far outshines Jays). A never-better Young Jeezy trades increasingly entertaining verses with Jay over a horn-heavy Incredibles-produced beat on Real As It Gets. On joyous album highlight Empire State of Mind, Jay references Nas NY State of Mind, but instead of a nightmare hellscape, Jays New York is a place of fast streets, sports teams and fulfilled dreams. But around the time we get to the Timbaland-produced, Limbaugh-dissing, Drake-featuring Off That, a song about how far ahead of the curve Jay is, the album's quality falls off considerably. (You can make the case that The Blueprint 3 would be better as an EP, with the back half of the album trashed.) Jay runs through raps recent history on A Star is Born, a track with the startling revelations that Eminem was great when he came out, Andre 3000 is really ill, Wu-Tang Clan had a hell of a run, and that Jay is the biggest rapper in the world. The abysmal Venus VS. Mars has Jay delivering cliché-heavy my girl is different than me (example: Shorty like Pac/ Me, Big Poppa) verses over a recycled Timbaland beat. The closing four-track run of Hate through the incredibly corny Young Forever, a Mr. Hudson-featuring clunker, may be the weakest stretch on any Jay-Z album, with the Neptunes produced, Pharrell-produced So Ambitious winning the contest for the worst Neptunes-related track not on any of N.E.R.D.s three albums. But really, the music hasnt meant much in relationship to the Jay-Z brand since The Black Album -- the multi-million dollar endorsement deals and business expansions have meant more since then. 2007s American Gangster was an anomaly; the guy was only able to go back to his creative coke-rap well under the auspices of a concept album. Albums like Kingdom Come and The Blueprint 3 are Jays norm now. That is to say, the guy could keep doing half-assed records like this until 2030, and hell still be able to call himself the most popular rapper of all time. Hes like a classic rock group (like, say, U2) in that respect; we expect him to keep delivering same-old, same-old new music, but were not going to like it more than we liked Reasonable Doubt, The Blueprint, or Vol. 2. *** Track list Disc 1 1What We Talkin' About ft. Luke Steele of Empire of the Sun 2Thank You 3D.O.A. (Death of Auto-Tune) 4Run This Town ft. Kanye West and Rihanna 5Empire State of Mind ft. Alicia Keys 6Real As It Gets ft Young Jeezy 7On To the Next One ft. Swizz Beatz 8Off That ft. Drake 9A Star is Bortn ft. J. Cole 10Venus VS. Mars 11Already Home ft. Kid Cudi 12Hate ft. Kanye West 13Reminder 14So Ambitious ft. Pharrell 15Young Forever ft. Mr. Hudson Keywords: Jay Z What We Talkin' About Ft Luke Steele (The Blueprint 3) - 01

http://www.thecadillacking.com Jay Z Off That Ft Drake The Blueprint 3 - Track 8 During The Blueprint 3s opening salvo What We Talkin About?, Jay-Z spits, I dont run rap no more; I run the map. Its a typical top-of-the-world boast that Jay has been spewing since 1998, but in some respects, it feels like hes finally earned it. Hes not only the biggest rapper of all time (by far), but hes also one of the last big pop stars -- a rapper whom even your mom knows and whose every album is an event to be reckoned with. Its hard to imagine a new 50 Cent album, or even a new Lady Gaga album, being subject to a kind of hype that includes blog posts that boast exclusive looks at the scanned CD booklet. In other words, Jay-Z is right. The increased exposure of a marriage to Beyonce and a largely unchallenged rap-king throne (at least since Nas dropped Ether) hangs heavy over Jay-Zs 11th album, The Blueprint 3. A return to The Blueprint brand is supposed to signal a recommitment by Jay-Z to the street-wise but pop-friendly auspices of the first two Blueprint albums. Instead it serves as a better version of Kingdom Come, Jays much-maligned comeback album, which found him struggling to find relevant non-drug related things to say apart from how people who hate him are losers and how hes got more money than the U.S. Treasury. The Blueprint 3 starts well enough. Its first half is good to great, starting with the Empire of the Sun-featuring What We Talkin About? and running through the the futuristic zoom-bip of the Swizz Beatz-produced On to the Next One. Lead single D.O.A. (Death of Auto-Tune) sounds better in context, where its crotchety assertions about hating iTunes, Auto-Tuners and ringtone rappers fit in between the fan-thanking Thank You and the boastful Run This Town (which features a fire Kanye verse that far outshines Jays). A never-better Young Jeezy trades increasingly entertaining verses with Jay over a horn-heavy Incredibles-produced beat on Real As It Gets. On joyous album highlight Empire State of Mind, Jay references Nas NY State of Mind, but instead of a nightmare hellscape, Jays New York is a place of fast streets, sports teams and fulfilled dreams. But around the time we get to the Timbaland-produced, Limbaugh-dissing, Drake-featuring Off That, a song about how far ahead of the curve Jay is, the album's quality falls off considerably. (You can make the case that The Blueprint 3 would be better as an EP, with the back half of the album trashed.) Jay runs through raps recent history on A Star is Born, a track with the startling revelations that Eminem was great when he came out, Andre 3000 is really ill, Wu-Tang Clan had a hell of a run, and that Jay is the biggest rapper in the world. The abysmal Venus VS. Mars has Jay delivering cliché-heavy my girl is different than me (example: Shorty like Pac/ Me, Big Poppa) verses over a recycled Timbaland beat. The closing four-track run of Hate through the incredibly corny Young Forever, a Mr. Hudson-featuring clunker, may be the weakest stretch on any Jay-Z album, with the Neptunes produced, Pharrell-produced So Ambitious winning the contest for the worst Neptunes-related track not on any of N.E.R.D.s three albums. But really, the music hasnt meant much in relationship to the Jay-Z brand since The Black Album -- the multi-million dollar endorsement deals and business expansions have meant more since then. 2007s American Gangster was an anomaly; the guy was only able to go back to his creative coke-rap well under the auspices of a concept album. Albums like Kingdom Come and The Blueprint 3 are Jays norm now. That is to say, the guy could keep doing half-assed records like this until 2030, and hell still be able to call himself the most popular rapper of all time. Hes like a classic rock group (like, say, U2) in that respect; we expect him to keep delivering same-old, same-old new music, but were not going to like it more than we liked Reasonable Doubt, The Blueprint, or Vol. 2. *** Track list Disc 1 1What We Talkin' About ft. Luke Steele of Empire of the Sun 2Thank You 3D.O.A. (Death of Auto-Tune) 4Run This Town ft. Kanye West and Rihanna 5Empire State of Mind ft. Alicia Keys 6Real As It Gets ft Young Jeezy 7On To the Next One ft. Swizz Beatz 8Off That ft. Drake 9A Star is Bortn ft. J. Cole 10Venus VS. Mars 11Already Home ft. Kid Cudi 12Hate ft. Kanye West 13Reminder 14So Ambitious ft. Pharrell 15Young Forever ft. Mr. Hudson Keywords: Jay Z Off That Ft Drake The Blueprint 3 (The Blueprint 3) - 01

Muramasa: The Demon Blade Launch Trailer [HD] Developer: Vanilla Ware Release: 9/2009 Genre: Action Platform: Wii Publisher: Ignition Entertainment Muramasa takes places during the Genroku era, at the time of shogun Tokugawa Tsunayoshi. With his thirst for power, a conflict arises over powerful swords, The Demon Blades. FOR MORE MACHINIMA GOTO: http://www.youtube.com/subscription_center?add_user=machinima

One of the biggest secrets this year is about to burst into life with the return of Peter Jackson to the sci-fi / horror game in District 9. When humanity forces a race of insectoid aliens to live in slum-like conditions, generally hated on all sides, a government agent is one day exposed to their unique biotechnology. What will happen when the rest of the race shows up? Check out the trailer! I don't know about you, but I'm all freaked out now and desperately need to buy stock in Raid. So are you kicking down the anthills or laying out the sugar? Hit the comments section and tell us what you think! Thanks for watching! District 9 Official movie trailer is provided courtesy of Sony Pictures Releasing. District 9 is scheduled to hit theaters on August 14th, 2009

" Good Hair " Documentary http://festival.sundance.org/2009/film_events/films/good_hair When Chris Rocks daughter, Lola, came up to him crying and asked, Daddy, how come I dont have good hair? the bewildered comic committed himself to search the ends of the earth and the depths of black culture to find out who had put that question into his little girl's head! Director Jeff Stilsons camera followed the funnyman, and the result is Good Hair, a wonderfully insightful and entertaining, yet remarkably serious, documentary about African American hair culture.An exposé of comic proportions that only Chris Rock could pull off, Good Hair visits hair salons and styling battles, scientific laboratories, and Indian temples to explore the way black hairstyles impact the activities, pocketbooks, sexual relationships, and self-esteem of black people. Celebrities such as Ice-T, Kerry Washington, Nia Long, Paul Mooney, Raven Symoné, Maya Angelou, and Reverend Al Sharpton all candidly offer their stories and observations to Rock while he struggles with the task of figuring out how to respond to his daughters question. What he discovers is that black hair is a big business that doesnt always benefit the black community and little Lolas question might well be bigger than his ability to convince her that the stuff on top of her head is nowhere near as important as what is inside. Recipient of A Special Jury Prize: U.S. Documentary

*This is a fan-made music video* SONG: "Sharada" by Skye Sweetnam ANIME: The Melancholy of Haruhi Suzumiya PROGRAM USED: Adobe Premiere 6.0 DATE COMPLETED: August 2006 Contest Participation: *Best Character Profile in AWA Expo 2006 *Best Character Profile and Best No-Effects Video at A-M-V.org's Viewer's Choice Awards 2007 I made this video in August 2006, It took about 18 hours during one week. To download the higher-quality version, check out my website: http://www.members.shaw.ca/darkmoonstudios/musicvideos.html

Ur boi J. Carter and the i9 & Hustle Hard Record Crew opened up for DMX at the Phil Long Expo Center. Rumors spread that he wasnt goin to show up.. So they cut the sound, and told everyone to leave. When he showed up he was furious and fought so hard to get onstage he even had to go through security!!!

When the Duke of Milan is brutally murdered, the Assassin Giovanni Auditore is dispatched to investigate. The answers he uncovers implicate Italy's most powerful families reaching all the way back to the Vatican itself. As Giovanni draws closer to the truth, he becomes hunted himself. He must expose the conspirators before he joins their ever growing list of victims. Lineage is the prequel to the Assassin's Creed II story, revealing the machinations of 15th century Italy through the actions of Ezio's father, Giovanni. Episode # 1: 1476, Florence. Giovanni Auditore, an assassin, attempts to thwart a conspiracy against one of Lorenzo de Medicis allies. The ensuing inquiry will take him to Milan where he tries to prevent the worst from happening. Watch out for Part 2 coming soon.

Green Day: Rock Band is an upcoming music video game being developed by Harmonix Music Systems, published by MTV Games and distributed by Electronic Arts. It is the fourth major console release in the Rock Band music video game series and, like other games in the series, it allows players to simulate the playing of rock music by using controllers shaped like musical instruments. The game's soundtrack consists of songs by popular punk rock group Green Day. Green Day: Rock Band will feature virtual depictions of the three band members performing the songs in new venues designed for the game. The game will incorporate existing Green Day songs already released for the Rock Band series as downloadable content, and will allow players to export its full tracklist to the other Rock Band game titles. Release date: TBA 2010

Go ahead and stare the user interface of the Windows Phone 7 Series deserves it. Thats the reaction we got at Mobile World Conference in Barcelona when we revealed this new holistic design system that brings together form and function based on key principles — informing every aspect of the phone. See what everyone is talking about by checking out this video.

The harmonious vibes of this Songstress flows through the underground of main-street music and the passion expressed in her live performances shed some light on the original roots of soul music- life's lessons. Indeed, the addictive vocal arrangements of Alana DaCosta have an impact on her audience. Her style of singing is controlled, captivating and inspirational. Her gift of song opens the minds of her listeners and arouses a new depth of soul music. Her distinctive sound extends beyond boundaries as she consistently blends nu-soul with grooves and vibes of hip-hop, reggae, jazz, and a drop of funk. Born in Bronx, New York, to Jamaican parents, Alana DaCosta, as a toddler would hum the tunes of singers ranging from Gregory Isaac to Donna Summer. Alana's mother would often encourage her only child to entertain herself with her "most favorite toy" in their home, her mother's turntable. Alana's exposure to various musical genres at a young age influenced her singing and songwriting styles. She began her musical endeavors at the early age of 7, performing in school plays, charity events and talents shows. By the time she was ten, Alana began writing poetry, competing in oratorical contests, and playing the trumpet in a jazz and concert band. Two years later, she enrolled at the Dillard Center of the Performing Arts in Fort Lauderdale, Florida; where she excelled in her chosen track of voice and instrumental training. As a student, Alana performed throughout Florida and Bahamas with some of the most talented musicians and singers such as Roberta Flack and Peabo Bryson. A graduate of the prestigious Howard University in Washington, D.C., Alana's strong passion for helping others influenced her decision to study Psychology as well as Music, with a concentration in Voice and Jazz studies. She continued to excel in her studies and performed throughout the Baltimore and DC area. "One day my music will touch the minds, hearts and souls of people across the world, and will increase one's motivation for self discovery and the desire to live life freely", says Alana, a songwriter who truly understands and respects the healing power of music and conveys her artistic mission through her songs. Since returning to South Florida in 2001, Alana has performed at numerous venues including the premiere screening of Erykah Badu's short film documentary "Hair Stories" at the elegant Nikki Beach Club in South Beach. Alana received admirable reviews from her audiences at Hard Rock Café Bayside and at "Urban Nights" held at the legendary Eden Rock Resort. In the recording studio, Alana has recorded background vocals for various artists and has shared the stage with well-known reggae artists such as Beres Hammond, Luciano, Maxi Priest, and Marcia Griffiths. Alana also performs at colleges and universities throughout the United States with Poetic Ahku, a group of poets, singers, and musical pioneers that are driven by the desire to expose the college audience to "homegrown" soul through poetry and song. With the drive and passion felt in her music, there is no doubt, that this talented young lady is destined to leave her own mark in the world and make her artistic mission a reality.