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http://www.thecadillacking.com Jay-Z - What We Talkin' About [Ft. Luke Steele] The Blueprint 3 During The Blueprint 3s opening salvo What We Talkin About?, Jay-Z spits, I dont run rap no more; I run the map. Its a typical top-of-the-world boast that Jay has been spewing since 1998, but in some respects, it feels like hes finally earned it. Hes not only the biggest rapper of all time (by far), but hes also one of the last big pop stars -- a rapper whom even your mom knows and whose every album is an event to be reckoned with. Its hard to imagine a new 50 Cent album, or even a new Lady Gaga album, being subject to a kind of hype that includes blog posts that boast exclusive looks at the scanned CD booklet. In other words, Jay-Z is right. The increased exposure of a marriage to Beyonce and a largely unchallenged rap-king throne (at least since Nas dropped Ether) hangs heavy over Jay-Zs 11th album, The Blueprint 3. A return to The Blueprint brand is supposed to signal a recommitment by Jay-Z to the street-wise but pop-friendly auspices of the first two Blueprint albums. Instead it serves as a better version of Kingdom Come, Jays much-maligned comeback album, which found him struggling to find relevant non-drug related things to say apart from how people who hate him are losers and how hes got more money than the U.S. Treasury. The Blueprint 3 starts well enough. Its first half is good to great, starting with the Empire of the Sun-featuring What We Talkin About? and running through the the futuristic zoom-bip of the Swizz Beatz-produced On to the Next One. Lead single D.O.A. (Death of Auto-Tune) sounds better in context, where its crotchety assertions about hating iTunes, Auto-Tuners and ringtone rappers fit in between the fan-thanking Thank You and the boastful Run This Town (which features a fire Kanye verse that far outshines Jays). A never-better Young Jeezy trades increasingly entertaining verses with Jay over a horn-heavy Incredibles-produced beat on Real As It Gets. On joyous album highlight Empire State of Mind, Jay references Nas NY State of Mind, but instead of a nightmare hellscape, Jays New York is a place of fast streets, sports teams and fulfilled dreams. But around the time we get to the Timbaland-produced, Limbaugh-dissing, Drake-featuring Off That, a song about how far ahead of the curve Jay is, the album's quality falls off considerably. (You can make the case that The Blueprint 3 would be better as an EP, with the back half of the album trashed.) Jay runs through raps recent history on A Star is Born, a track with the startling revelations that Eminem was great when he came out, Andre 3000 is really ill, Wu-Tang Clan had a hell of a run, and that Jay is the biggest rapper in the world. The abysmal Venus VS. Mars has Jay delivering cliché-heavy my girl is different than me (example: Shorty like Pac/ Me, Big Poppa) verses over a recycled Timbaland beat. The closing four-track run of Hate through the incredibly corny Young Forever, a Mr. Hudson-featuring clunker, may be the weakest stretch on any Jay-Z album, with the Neptunes produced, Pharrell-produced So Ambitious winning the contest for the worst Neptunes-related track not on any of N.E.R.D.s three albums. But really, the music hasnt meant much in relationship to the Jay-Z brand since The Black Album -- the multi-million dollar endorsement deals and business expansions have meant more since then. 2007s American Gangster was an anomaly; the guy was only able to go back to his creative coke-rap well under the auspices of a concept album. Albums like Kingdom Come and The Blueprint 3 are Jays norm now. That is to say, the guy could keep doing half-assed records like this until 2030, and hell still be able to call himself the most popular rapper of all time. Hes like a classic rock group (like, say, U2) in that respect; we expect him to keep delivering same-old, same-old new music, but were not going to like it more than we liked Reasonable Doubt, The Blueprint, or Vol. 2. *** Track list Disc 1 1What We Talkin' About ft. Luke Steele of Empire of the Sun 2Thank You 3D.O.A. (Death of Auto-Tune) 4Run This Town ft. Kanye West and Rihanna 5Empire State of Mind ft. Alicia Keys 6Real As It Gets ft Young Jeezy 7On To the Next One ft. Swizz Beatz 8Off That ft. Drake 9A Star is Bortn ft. J. Cole 10Venus VS. Mars 11Already Home ft. Kid Cudi 12Hate ft. Kanye West 13Reminder 14So Ambitious ft. Pharrell 15Young Forever ft. Mr. Hudson Keywords: Jay Z What We Talkin' About Ft Luke Steele (The Blueprint 3) - 01

http://www.thecadillacking.com Jay-Z - D.O.A. [Death Of Auto-Tune] [Ft. Luke Steele] The Blueprint 3 During The Blueprint 3s opening salvo What We Talkin About?, Jay-Z spits, I dont run rap no more; I run the map. Its a typical top-of-the-world boast that Jay has been spewing since 1998, but in some respects, it feels like hes finally earned it. Hes not only the biggest rapper of all time (by far), but hes also one of the last big pop stars -- a rapper whom even your mom knows and whose every album is an event to be reckoned with. Its hard to imagine a new 50 Cent album, or even a new Lady Gaga album, being subject to a kind of hype that includes blog posts that boast exclusive looks at the scanned CD booklet. In other words, Jay-Z is right. The increased exposure of a marriage to Beyonce and a largely unchallenged rap-king throne (at least since Nas dropped Ether) hangs heavy over Jay-Zs 11th album, The Blueprint 3. A return to The Blueprint brand is supposed to signal a recommitment by Jay-Z to the street-wise but pop-friendly auspices of the first two Blueprint albums. Instead it serves as a better version of Kingdom Come, Jays much-maligned comeback album, which found him struggling to find relevant non-drug related things to say apart from how people who hate him are losers and how hes got more money than the U.S. Treasury. The Blueprint 3 starts well enough. Its first half is good to great, starting with the Empire of the Sun-featuring What We Talkin About? and running through the the futuristic zoom-bip of the Swizz Beatz-produced On to the Next One. Lead single D.O.A. (Death of Auto-Tune) sounds better in context, where its crotchety assertions about hating iTunes, Auto-Tuners and ringtone rappers fit in between the fan-thanking Thank You and the boastful Run This Town (which features a fire Kanye verse that far outshines Jays). A never-better Young Jeezy trades increasingly entertaining verses with Jay over a horn-heavy Incredibles-produced beat on Real As It Gets. On joyous album highlight Empire State of Mind, Jay references Nas NY State of Mind, but instead of a nightmare hellscape, Jays New York is a place of fast streets, sports teams and fulfilled dreams. But around the time we get to the Timbaland-produced, Limbaugh-dissing, Drake-featuring Off That, a song about how far ahead of the curve Jay is, the album's quality falls off considerably. (You can make the case that The Blueprint 3 would be better as an EP, with the back half of the album trashed.) Jay runs through raps recent history on A Star is Born, a track with the startling revelations that Eminem was great when he came out, Andre 3000 is really ill, Wu-Tang Clan had a hell of a run, and that Jay is the biggest rapper in the world. The abysmal Venus VS. Mars has Jay delivering cliché-heavy my girl is different than me (example: Shorty like Pac/ Me, Big Poppa) verses over a recycled Timbaland beat. The closing four-track run of Hate through the incredibly corny Young Forever, a Mr. Hudson-featuring clunker, may be the weakest stretch on any Jay-Z album, with the Neptunes produced, Pharrell-produced So Ambitious winning the contest for the worst Neptunes-related track not on any of N.E.R.D.s three albums. But really, the music hasnt meant much in relationship to the Jay-Z brand since The Black Album -- the multi-million dollar endorsement deals and business expansions have meant more since then. 2007s American Gangster was an anomaly; the guy was only able to go back to his creative coke-rap well under the auspices of a concept album. Albums like Kingdom Come and The Blueprint 3 are Jays norm now. That is to say, the guy could keep doing half-assed records like this until 2030, and hell still be able to call himself the most popular rapper of all time. Hes like a classic rock group (like, say, U2) in that respect; we expect him to keep delivering same-old, same-old new music, but were not going to like it more than we liked Reasonable Doubt, The Blueprint, or Vol. 2. *** Track list Disc 1 1What We Talkin' About ft. Luke Steele of Empire of the Sun 2Thank You 3D.O.A. (Death of Auto-Tune) 4Run This Town ft. Kanye West and Rihanna 5Empire State of Mind ft. Alicia Keys 6Real As It Gets ft Young Jeezy 7On To the Next One ft. Swizz Beatz 8Off That ft. Drake 9A Star is Bortn ft. J. Cole 10Venus VS. Mars 11Already Home ft. Kid Cudi 12Hate ft. Kanye West 13Reminder 14So Ambitious ft. Pharrell 15Young Forever ft. Mr. Hudson Keywords: Jay Z What We Talkin' About Ft Luke Steele (The Blueprint 3) - 01

http://www.thecadillacking.com Jay Z So Ambitious Ft Pharrell The Blueprint 3 - Track 14 During The Blueprint 3s opening salvo What We Talkin About?, Jay-Z spits, I dont run rap no more; I run the map. Its a typical top-of-the-world boast that Jay has been spewing since 1998, but in some respects, it feels like hes finally earned it. Hes not only the biggest rapper of all time (by far), but hes also one of the last big pop stars -- a rapper whom even your mom knows and whose every album is an event to be reckoned with. Its hard to imagine a new 50 Cent album, or even a new Lady Gaga album, being subject to a kind of hype that includes blog posts that boast exclusive looks at the scanned CD booklet. In other words, Jay-Z is right. The increased exposure of a marriage to Beyonce and a largely unchallenged rap-king throne (at least since Nas dropped Ether) hangs heavy over Jay-Zs 11th album, The Blueprint 3. A return to The Blueprint brand is supposed to signal a recommitment by Jay-Z to the street-wise but pop-friendly auspices of the first two Blueprint albums. Instead it serves as a better version of Kingdom Come, Jays much-maligned comeback album, which found him struggling to find relevant non-drug related things to say apart from how people who hate him are losers and how hes got more money than the U.S. Treasury. The Blueprint 3 starts well enough. Its first half is good to great, starting with the Empire of the Sun-featuring What We Talkin About? and running through the the futuristic zoom-bip of the Swizz Beatz-produced On to the Next One. Lead single D.O.A. (Death of Auto-Tune) sounds better in context, where its crotchety assertions about hating iTunes, Auto-Tuners and ringtone rappers fit in between the fan-thanking Thank You and the boastful Run This Town (which features a fire Kanye verse that far outshines Jays). A never-better Young Jeezy trades increasingly entertaining verses with Jay over a horn-heavy Incredibles-produced beat on Real As It Gets. On joyous album highlight Empire State of Mind, Jay references Nas NY State of Mind, but instead of a nightmare hellscape, Jays New York is a place of fast streets, sports teams and fulfilled dreams. But around the time we get to the Timbaland-produced, Limbaugh-dissing, Drake-featuring Off That, a song about how far ahead of the curve Jay is, the album's quality falls off considerably. (You can make the case that The Blueprint 3 would be better as an EP, with the back half of the album trashed.) Jay runs through raps recent history on A Star is Born, a track with the startling revelations that Eminem was great when he came out, Andre 3000 is really ill, Wu-Tang Clan had a hell of a run, and that Jay is the biggest rapper in the world. The abysmal Venus VS. Mars has Jay delivering cliché-heavy my girl is different than me (example: Shorty like Pac/ Me, Big Poppa) verses over a recycled Timbaland beat. The closing four-track run of Hate through the incredibly corny Young Forever, a Mr. Hudson-featuring clunker, may be the weakest stretch on any Jay-Z album, with the Neptunes produced, Pharrell-produced So Ambitious winning the contest for the worst Neptunes-related track not on any of N.E.R.D.s three albums. But really, the music hasnt meant much in relationship to the Jay-Z brand since The Black Album -- the multi-million dollar endorsement deals and business expansions have meant more since then. 2007s American Gangster was an anomaly; the guy was only able to go back to his creative coke-rap well under the auspices of a concept album. Albums like Kingdom Come and The Blueprint 3 are Jays norm now. That is to say, the guy could keep doing half-assed records like this until 2030, and hell still be able to call himself the most popular rapper of all time. Hes like a classic rock group (like, say, U2) in that respect; we expect him to keep delivering same-old, same-old new music, but were not going to like it more than we liked Reasonable Doubt, The Blueprint, or Vol. 2. *** Track list Disc 1 1What We Talkin' About ft. Luke Steele of Empire of the Sun 2Thank You 3D.O.A. (Death of Auto-Tune) 4Run This Town ft. Kanye West and Rihanna 5Empire State of Mind ft. Alicia Keys 6Real As It Gets ft Young Jeezy 7On To the Next One ft. Swizz Beatz 8Off That ft. Drake 9A Star is Bortn ft. J. Cole 10Venus VS. Mars 11Already Home ft. Kid Cudi 12Hate ft. Kanye West 13Reminder 14So Ambitious ft. Pharrell 15Young Forever ft. Mr. Hudson Keywords: Jay Z What We Talkin' About Ft Luke Steele (The Blueprint 3) - 01

http://www.thecadillacking.com Jay Z Already Home Ft Kid Cudi The Blueprint 3 The Blueprint 3 During The Blueprint 3s opening salvo What We Talkin About?, Jay-Z spits, I dont run rap no more; I run the map. Its a typical top-of-the-world boast that Jay has been spewing since 1998, but in some respects, it feels like hes finally earned it. Hes not only the biggest rapper of all time (by far), but hes also one of the last big pop stars -- a rapper whom even your mom knows and whose every album is an event to be reckoned with. Its hard to imagine a new 50 Cent album, or even a new Lady Gaga album, being subject to a kind of hype that includes blog posts that boast exclusive looks at the scanned CD booklet. In other words, Jay-Z is right. The increased exposure of a marriage to Beyonce and a largely unchallenged rap-king throne (at least since Nas dropped Ether) hangs heavy over Jay-Zs 11th album, The Blueprint 3. A return to The Blueprint brand is supposed to signal a recommitment by Jay-Z to the street-wise but pop-friendly auspices of the first two Blueprint albums. Instead it serves as a better version of Kingdom Come, Jays much-maligned comeback album, which found him struggling to find relevant non-drug related things to say apart from how people who hate him are losers and how hes got more money than the U.S. Treasury. The Blueprint 3 starts well enough. Its first half is good to great, starting with the Empire of the Sun-featuring What We Talkin About? and running through the the futuristic zoom-bip of the Swizz Beatz-produced On to the Next One. Lead single D.O.A. (Death of Auto-Tune) sounds better in context, where its crotchety assertions about hating iTunes, Auto-Tuners and ringtone rappers fit in between the fan-thanking Thank You and the boastful Run This Town (which features a fire Kanye verse that far outshines Jays). A never-better Young Jeezy trades increasingly entertaining verses with Jay over a horn-heavy Incredibles-produced beat on Real As It Gets. On joyous album highlight Empire State of Mind, Jay references Nas NY State of Mind, but instead of a nightmare hellscape, Jays New York is a place of fast streets, sports teams and fulfilled dreams. But around the time we get to the Timbaland-produced, Limbaugh-dissing, Drake-featuring Off That, a song about how far ahead of the curve Jay is, the album's quality falls off considerably. (You can make the case that The Blueprint 3 would be better as an EP, with the back half of the album trashed.) Jay runs through raps recent history on A Star is Born, a track with the startling revelations that Eminem was great when he came out, Andre 3000 is really ill, Wu-Tang Clan had a hell of a run, and that Jay is the biggest rapper in the world. The abysmal Venus VS. Mars has Jay delivering cliché-heavy my girl is different than me (example: Shorty like Pac/ Me, Big Poppa) verses over a recycled Timbaland beat. The closing four-track run of Hate through the incredibly corny Young Forever, a Mr. Hudson-featuring clunker, may be the weakest stretch on any Jay-Z album, with the Neptunes produced, Pharrell-produced So Ambitious winning the contest for the worst Neptunes-related track not on any of N.E.R.D.s three albums. But really, the music hasnt meant much in relationship to the Jay-Z brand since The Black Album -- the multi-million dollar endorsement deals and business expansions have meant more since then. 2007s American Gangster was an anomaly; the guy was only able to go back to his creative coke-rap well under the auspices of a concept album. Albums like Kingdom Come and The Blueprint 3 are Jays norm now. That is to say, the guy could keep doing half-assed records like this until 2030, and hell still be able to call himself the most popular rapper of all time. Hes like a classic rock group (like, say, U2) in that respect; we expect him to keep delivering same-old, same-old new music, but were not going to like it more than we liked Reasonable Doubt, The Blueprint, or Vol. 2. *** Track list Disc 1 1What We Talkin' About ft. Luke Steele of Empire of the Sun 2Thank You 3D.O.A. (Death of Auto-Tune) 4Run This Town ft. Kanye West and Rihanna 5Empire State of Mind ft. Alicia Keys 6Real As It Gets ft Young Jeezy 7On To the Next One ft. Swizz Beatz 8Off That ft. Drake 9A Star is Bortn ft. J. Cole 10Venus VS. Mars 11Already Home ft. Kid Cudi 12Hate ft. Kanye West 13Reminder 14So Ambitious ft. Pharrell 15Young Forever ft. Mr. Hudson Keywords: Jay Z What We Talkin' About Ft Luke Steele (The Blueprint 3) - 01

http://www.thecadillacking.com Jay Z A Star Is Born Ft J Cole The Blueprint 3 During The Blueprint 3s opening salvo What We Talkin About?, Jay-Z spits, I dont run rap no more; I run the map. Its a typical top-of-the-world boast that Jay has been spewing since 1998, but in some respects, it feels like hes finally earned it. Hes not only the biggest rapper of all time (by far), but hes also one of the last big pop stars -- a rapper whom even your mom knows and whose every album is an event to be reckoned with. Its hard to imagine a new 50 Cent album, or even a new Lady Gaga album, being subject to a kind of hype that includes blog posts that boast exclusive looks at the scanned CD booklet. In other words, Jay-Z is right. The increased exposure of a marriage to Beyonce and a largely unchallenged rap-king throne (at least since Nas dropped Ether) hangs heavy over Jay-Zs 11th album, The Blueprint 3. A return to The Blueprint brand is supposed to signal a recommitment by Jay-Z to the street-wise but pop-friendly auspices of the first two Blueprint albums. Instead it serves as a better version of Kingdom Come, Jays much-maligned comeback album, which found him struggling to find relevant non-drug related things to say apart from how people who hate him are losers and how hes got more money than the U.S. Treasury. The Blueprint 3 starts well enough. Its first half is good to great, starting with the Empire of the Sun-featuring What We Talkin About? and running through the the futuristic zoom-bip of the Swizz Beatz-produced On to the Next One. Lead single D.O.A. (Death of Auto-Tune) sounds better in context, where its crotchety assertions about hating iTunes, Auto-Tuners and ringtone rappers fit in between the fan-thanking Thank You and the boastful Run This Town (which features a fire Kanye verse that far outshines Jays). A never-better Young Jeezy trades increasingly entertaining verses with Jay over a horn-heavy Incredibles-produced beat on Real As It Gets. On joyous album highlight Empire State of Mind, Jay references Nas NY State of Mind, but instead of a nightmare hellscape, Jays New York is a place of fast streets, sports teams and fulfilled dreams. But around the time we get to the Timbaland-produced, Limbaugh-dissing, Drake-featuring Off That, a song about how far ahead of the curve Jay is, the album's quality falls off considerably. (You can make the case that The Blueprint 3 would be better as an EP, with the back half of the album trashed.) Jay runs through raps recent history on A Star is Born, a track with the startling revelations that Eminem was great when he came out, Andre 3000 is really ill, Wu-Tang Clan had a hell of a run, and that Jay is the biggest rapper in the world. The abysmal Venus VS. Mars has Jay delivering cliché-heavy my girl is different than me (example: Shorty like Pac/ Me, Big Poppa) verses over a recycled Timbaland beat. The closing four-track run of Hate through the incredibly corny Young Forever, a Mr. Hudson-featuring clunker, may be the weakest stretch on any Jay-Z album, with the Neptunes produced, Pharrell-produced So Ambitious winning the contest for the worst Neptunes-related track not on any of N.E.R.D.s three albums. But really, the music hasnt meant much in relationship to the Jay-Z brand since The Black Album -- the multi-million dollar endorsement deals and business expansions have meant more since then. 2007s American Gangster was an anomaly; the guy was only able to go back to his creative coke-rap well under the auspices of a concept album. Albums like Kingdom Come and The Blueprint 3 are Jays norm now. That is to say, the guy could keep doing half-assed records like this until 2030, and hell still be able to call himself the most popular rapper of all time. Hes like a classic rock group (like, say, U2) in that respect; we expect him to keep delivering same-old, same-old new music, but were not going to like it more than we liked Reasonable Doubt, The Blueprint, or Vol. 2. *** Track list Disc 1 1What We Talkin' About ft. Luke Steele of Empire of the Sun 2Thank You 3D.O.A. (Death of Auto-Tune) 4Run This Town ft. Kanye West and Rihanna 5Empire State of Mind ft. Alicia Keys 6Real As It Gets ft Young Jeezy 7On To the Next One ft. Swizz Beatz 8Off That ft. Drake 9A Star is Bortn ft. J. Cole 10Venus VS. Mars 11Already Home ft. Kid Cudi 12Hate ft. Kanye West 13Reminder 14So Ambitious ft. Pharrell 15Young Forever ft. Mr. Hudson Keywords: Jay Z What We Talkin' About Ft Luke Steele (The Blueprint 3) - 01

http://www.thecadillacking.com Jay Z Reminder The Blueprint 3 Track 13 The Blueprint 3 During The Blueprint 3s opening salvo What We Talkin About?, Jay-Z spits, I dont run rap no more; I run the map. Its a typical top-of-the-world boast that Jay has been spewing since 1998, but in some respects, it feels like hes finally earned it. Hes not only the biggest rapper of all time (by far), but hes also one of the last big pop stars -- a rapper whom even your mom knows and whose every album is an event to be reckoned with. Its hard to imagine a new 50 Cent album, or even a new Lady Gaga album, being subject to a kind of hype that includes blog posts that boast exclusive looks at the scanned CD booklet. In other words, Jay-Z is right. The increased exposure of a marriage to Beyonce and a largely unchallenged rap-king throne (at least since Nas dropped Ether) hangs heavy over Jay-Zs 11th album, The Blueprint 3. A return to The Blueprint brand is supposed to signal a recommitment by Jay-Z to the street-wise but pop-friendly auspices of the first two Blueprint albums. Instead it serves as a better version of Kingdom Come, Jays much-maligned comeback album, which found him struggling to find relevant non-drug related things to say apart from how people who hate him are losers and how hes got more money than the U.S. Treasury. The Blueprint 3 starts well enough. Its first half is good to great, starting with the Empire of the Sun-featuring What We Talkin About? and running through the the futuristic zoom-bip of the Swizz Beatz-produced On to the Next One. Lead single D.O.A. (Death of Auto-Tune) sounds better in context, where its crotchety assertions about hating iTunes, Auto-Tuners and ringtone rappers fit in between the fan-thanking Thank You and the boastful Run This Town (which features a fire Kanye verse that far outshines Jays). A never-better Young Jeezy trades increasingly entertaining verses with Jay over a horn-heavy Incredibles-produced beat on Real As It Gets. On joyous album highlight Empire State of Mind, Jay references Nas NY State of Mind, but instead of a nightmare hellscape, Jays New York is a place of fast streets, sports teams and fulfilled dreams. But around the time we get to the Timbaland-produced, Limbaugh-dissing, Drake-featuring Off That, a song about how far ahead of the curve Jay is, the album's quality falls off considerably. (You can make the case that The Blueprint 3 would be better as an EP, with the back half of the album trashed.) Jay runs through raps recent history on A Star is Born, a track with the startling revelations that Eminem was great when he came out, Andre 3000 is really ill, Wu-Tang Clan had a hell of a run, and that Jay is the biggest rapper in the world. The abysmal Venus VS. Mars has Jay delivering cliché-heavy my girl is different than me (example: Shorty like Pac/ Me, Big Poppa) verses over a recycled Timbaland beat. The closing four-track run of Hate through the incredibly corny Young Forever, a Mr. Hudson-featuring clunker, may be the weakest stretch on any Jay-Z album, with the Neptunes produced, Pharrell-produced So Ambitious winning the contest for the worst Neptunes-related track not on any of N.E.R.D.s three albums. But really, the music hasnt meant much in relationship to the Jay-Z brand since The Black Album -- the multi-million dollar endorsement deals and business expansions have meant more since then. 2007s American Gangster was an anomaly; the guy was only able to go back to his creative coke-rap well under the auspices of a concept album. Albums like Kingdom Come and The Blueprint 3 are Jays norm now. That is to say, the guy could keep doing half-assed records like this until 2030, and hell still be able to call himself the most popular rapper of all time. Hes like a classic rock group (like, say, U2) in that respect; we expect him to keep delivering same-old, same-old new music, but were not going to like it more than we liked Reasonable Doubt, The Blueprint, or Vol. 2. *** Track list Disc 1 1What We Talkin' About ft. Luke Steele of Empire of the Sun 2Thank You 3D.O.A. (Death of Auto-Tune) 4Run This Town ft. Kanye West and Rihanna 5Empire State of Mind ft. Alicia Keys 6Real As It Gets ft Young Jeezy 7On To the Next One ft. Swizz Beatz 8Off That ft. Drake 9A Star is Bortn ft. J. Cole 10Venus VS. Mars 11Already Home ft. Kid Cudi 12Hate ft. Kanye West 13Reminder 14So Ambitious ft. Pharrell 15Young Forever ft. Mr. Hudson Keywords: Jay Z What We Talkin' About Ft Luke Steele (The Blueprint 3) - 01

http://www.thecadillacking.com Jay Z Off That Ft Drake The Blueprint 3 - Track 8 During The Blueprint 3s opening salvo What We Talkin About?, Jay-Z spits, I dont run rap no more; I run the map. Its a typical top-of-the-world boast that Jay has been spewing since 1998, but in some respects, it feels like hes finally earned it. Hes not only the biggest rapper of all time (by far), but hes also one of the last big pop stars -- a rapper whom even your mom knows and whose every album is an event to be reckoned with. Its hard to imagine a new 50 Cent album, or even a new Lady Gaga album, being subject to a kind of hype that includes blog posts that boast exclusive looks at the scanned CD booklet. In other words, Jay-Z is right. The increased exposure of a marriage to Beyonce and a largely unchallenged rap-king throne (at least since Nas dropped Ether) hangs heavy over Jay-Zs 11th album, The Blueprint 3. A return to The Blueprint brand is supposed to signal a recommitment by Jay-Z to the street-wise but pop-friendly auspices of the first two Blueprint albums. Instead it serves as a better version of Kingdom Come, Jays much-maligned comeback album, which found him struggling to find relevant non-drug related things to say apart from how people who hate him are losers and how hes got more money than the U.S. Treasury. The Blueprint 3 starts well enough. Its first half is good to great, starting with the Empire of the Sun-featuring What We Talkin About? and running through the the futuristic zoom-bip of the Swizz Beatz-produced On to the Next One. Lead single D.O.A. (Death of Auto-Tune) sounds better in context, where its crotchety assertions about hating iTunes, Auto-Tuners and ringtone rappers fit in between the fan-thanking Thank You and the boastful Run This Town (which features a fire Kanye verse that far outshines Jays). A never-better Young Jeezy trades increasingly entertaining verses with Jay over a horn-heavy Incredibles-produced beat on Real As It Gets. On joyous album highlight Empire State of Mind, Jay references Nas NY State of Mind, but instead of a nightmare hellscape, Jays New York is a place of fast streets, sports teams and fulfilled dreams. But around the time we get to the Timbaland-produced, Limbaugh-dissing, Drake-featuring Off That, a song about how far ahead of the curve Jay is, the album's quality falls off considerably. (You can make the case that The Blueprint 3 would be better as an EP, with the back half of the album trashed.) Jay runs through raps recent history on A Star is Born, a track with the startling revelations that Eminem was great when he came out, Andre 3000 is really ill, Wu-Tang Clan had a hell of a run, and that Jay is the biggest rapper in the world. The abysmal Venus VS. Mars has Jay delivering cliché-heavy my girl is different than me (example: Shorty like Pac/ Me, Big Poppa) verses over a recycled Timbaland beat. The closing four-track run of Hate through the incredibly corny Young Forever, a Mr. Hudson-featuring clunker, may be the weakest stretch on any Jay-Z album, with the Neptunes produced, Pharrell-produced So Ambitious winning the contest for the worst Neptunes-related track not on any of N.E.R.D.s three albums. But really, the music hasnt meant much in relationship to the Jay-Z brand since The Black Album -- the multi-million dollar endorsement deals and business expansions have meant more since then. 2007s American Gangster was an anomaly; the guy was only able to go back to his creative coke-rap well under the auspices of a concept album. Albums like Kingdom Come and The Blueprint 3 are Jays norm now. That is to say, the guy could keep doing half-assed records like this until 2030, and hell still be able to call himself the most popular rapper of all time. Hes like a classic rock group (like, say, U2) in that respect; we expect him to keep delivering same-old, same-old new music, but were not going to like it more than we liked Reasonable Doubt, The Blueprint, or Vol. 2. *** Track list Disc 1 1What We Talkin' About ft. Luke Steele of Empire of the Sun 2Thank You 3D.O.A. (Death of Auto-Tune) 4Run This Town ft. Kanye West and Rihanna 5Empire State of Mind ft. Alicia Keys 6Real As It Gets ft Young Jeezy 7On To the Next One ft. Swizz Beatz 8Off That ft. Drake 9A Star is Bortn ft. J. Cole 10Venus VS. Mars 11Already Home ft. Kid Cudi 12Hate ft. Kanye West 13Reminder 14So Ambitious ft. Pharrell 15Young Forever ft. Mr. Hudson Keywords: Jay Z Off That Ft Drake The Blueprint 3 (The Blueprint 3) - 01

Roach Killa ft Shahid Ali Khan - Yaara Dildara Canadian dancehall and hip hop artist, Roach Killa, is ready to unleash the official video for his highly anticipated song,"Yaara Dil Dara!" Produced by pioneering Manchester-based producer, Surinder Rattan, it is the first single taken from Roach Killa's forthcoming album, "The Revolution." Featuring the vocals of the renowned Canadian singer, Shahid Ali Khan, who trained under the legendary Nusrat Fateh Ali Khan, "Yaara Dil Dara" brings together a cutting-edge mix of classical qawwali sounds and hip hop influences. The video has been masterminded by the award-winning producer, Jazz Virk, and has been shot at exotic locations around the world from Prague to St Lucia. Roach Killa said: "Yaara Dil Dara" is a meaningful song and the video helps to tell the love story behind it. With fresh locations and a unique concept, it moves away from the traditional storyboards to offer something totally different." Roach Killa began his musical journey at the age of 12 when he was introduced to the sounds of reggae. He has been touring Europe, Asia and the Middle East promoting his music and has created a massive fan base around the world. He has previously worked with Shin from DCS as well as a number of international stars including Snoop Dogg, Freedom and Spragga Benz. Most recently, he featured on Miss Pooja's latest track "Romantic Offering".

Alizée Jacotey (French pronunciation: [aliˈze]) (born August 21, 1984) is a French singer. Born in Ajaccio, Corsica, she goes by the stage name Alizée—the feminine form of alizé, the trade wind. She was discovered by Mylène Farmer, following her winning performance in the talent show, Graines de Star, in 1999. While collaborating with Mylène Farmer and Laurent Boutonnat, Alizée released two albums—both of which were hits inside and outside of France. Alizée entered the music business in 2000. She has since released three studio albums - first two of which were composed by Laurent Boutonnat and written by Mylène Farmer. Her first album was Gourmandises, which received Platinum certification within three months of release. Gourmandises was a success both in France and abroad—after it had its international launch in 2001—earning Alizée the distinction of being the highest selling female French singer in 2001. The album featured her most successful single "Moi... Lolita" which reached number one in several countries in Europe and East Asia. The marketing campaign around the single affixed Alizée's image as that of a seductive Lolita. Gourmandises was followed by a second studio album, Mes Courants Électriques in 2003, which was also quite successful, though not as big a hit as Alizée's debut album. Following its release, Alizée toured France during the fall of 2003, performing in 43 concerts throughout France, along with Belgium and Switzerland. Alizée married fellow French singer Jérémy Chatelain in late 2003. Following her marriage she took a hiatus from singing before returning with a new album, titled Psychédélices on December 3, 2007. "La Isla Bonita" (English: The Beautiful Island) is a song by American singer-songwriter Madonna. It was released as the fifth and final single from her third studio album, True Blue, on February 25, 1987 by Sire Records. Originally written as a lament, the song was first offered to Michael Jackson before Madonna accepted it and re-wrote the lyrics with Patrick Leonard. "La Isla Bonita" is noted for being the first Madonna song to have a Spanish influence in it with arrangements of Cuban drums and Spanish guitar, maracas, harmonicas and a mix of synthesized and real drumming. The lyrics of the song tell about a Beautiful Island and was a tribute to the beauty of the Latin people according to Madonna. "La Isla Bonita" achieved worldwide popularity, topping charts in the United Kingdom, Germany, France, Belgium and reaching number four on the United States Billboard Hot 100 chart. In the accompanying music video, Madonna portrayed two opposite characters - a pious girl and a passionate latina. The Latin style and the flamenco red dress she wore became a trend later. The song is among one of the most performed live songs by Madonna, appearing in five of her world tours including 200809's Sticky & Sweet Tour. Madonna has regularly performed the song in its Spanish form, sometimes with tribal or folk songs and remixes to accompany it. The song has been covered by a number of artists including French pop singer Alizée for her album Psychédélices (2007).

Description of Let It Ride game: Just bet some chips and press the deal button and determine if your hand is worth keeping or dropping. The dealer will turn over one community cards and you decide if you still wanna keep or drop. There is a payout table to determine your winnings. Enjoy Game controls: Mouse - To interact.

UPDATE! ---See the HD version with full credit list on your big-screen TV. Go to your On Demand Menu Now on Cable and DISH network. --- Recorded on February 1st, 2010, in the same studio as the original 25 years earlier (Henson Recording Studios, formerly A&M Recording Studios) "We Are The World 25 For Haiti", in which Jones and Richie serve as executive producers and producers, was created in collaboration with executive producers Wyclef Jean, Randy Phillips and Peter Tortorici; producers Humberto Gattica and RedOne; and co-producers Rickey Minor, Mervyn Warren and Patti Austin to benefit the Haitian earthquake relief efforts and the rebuilding of Haiti. Academy Award-winning writer-director Paul Haggis (Crash, Million Dollar Baby), whose own personal efforts as well as those of Artists for Peace and Justice have already saved countless lives in Haiti, filmed the private recording session to create the accompanying video and behind-the-scenes production, and serves as Film Director and as an Executive Producer with Jones, Richie, Jean, Phillips and Tortorici. The 25th Anniversary recording features over 80 artists and performers. The recording of We Are The World 25 For Haiti embodied the same enthusiasm, sense of purpose and generosity as the original recording 25 years ago. Every one of the artists who participated, regardless of genre or generation, walked into the room with their hearts and souls completely open to coming together to help the people of Haiti.

In stores June 21 2010 on itunes now (June 20 2010).Please everyone show support for Eminem and buy his album Eminem - Going Through Changes (Recovery) (New Song 2010) *NEW EXCLUSIVE 2010* Eminem - RECOVERY [New Official Album 2010] Release Date: 22nd June. !!! There Is No Relapse 2 !!! A video about the new upcoming Album project by Eminem. Check it out, leave a comment & subscribe for more stuff !!! !!! There Is No Relapse 2 !!! Here is the leaked/unofficial tracklist: 1. Sobriety 2. Risks 3. Over The Sun 4. Stand Up Tall ft. Mobb Depp 5. Take em' On 6. Mercenary 7. Next Step 8. Rebellious ft. Lil Wayne 9. If They Could 10. Gun Rush ft. Kid Cudi & B.O.B 11. Goin Through Rehab 12. Until The Next Time ft. Dr.Dre 13. Rules & Regulations ft. Royce da 5'9 14. Steve Berman 15. Follow 16. Broken Ways 17. Back Again 18. Parents ft. Kuniva 19. Hit Me With Your Best Shot ft. D12 20. Not Afraid 21. Happy People And here is the official tracklist: 1. Cold Wind Blows 2. Talkin' 2 Myself (Feat. Kobe) 3. On Fire 4. Won't Back Down (Feat. Pink) 5. W.T.P. 6. Going Through Changes 7. Not Afraid 8. Seduction 9. No Love (Feat. Lil Wayne) 10. Space Bound 11. Cinderella Man 12. 25 to Life 13. So Bad 14. Almost Famous 15. Love the Way You Lie (Feat. Rihanna) 16. You're Never Over Eminem explains: I had originally planned for Relapse 2 to come out last year. But as I kept recording and working with new producers, the idea of a sequel to Relapse started to make less and less sense to me, and I wanted to make a completely new album. The music on Recovery came out very different from Relapse, and I think it deserves its own title. The album will be released on June 22nd and the first single is produced by Jim Jonsin. The album also has production from Just Blaze, Boi-1da and DJ Khalil. On Recovery, his seventh major label studio album, Eminem has reached out to an exciting list of first-time collaborators, including DJ Khalil, Just Blaze, Jim Jonsin and Boi-1da, among others. Eminem releases Recovery just over a year after his last album, 2009s Relapse. Relapse put the cap on an impressive ten years of recorded output, and contributed to Eminem being the biggest selling artist of 2000-2009. In recognition of this, Neilsen SoundScan named him their Artist of the Decade. Relapse entered the charts at #1 and, at nearly double platinum, was the best selling rap album of last year. It also earned Eminem his 11th Grammy award, winning in the Best Rap Album category. Relapses first single, Crack A Bottle from Eminem, Dr. Dre and 50 Cent, soared to #1 on the Billboard Hot 100 (Eminems second #1 after 2002s Lose Yourself) and set a SoundScan record at the time of its release for opening week download sales (418,000). The album also spun off two other hits; the Top 10 We Made You and Top 20 Beautiful. The music on Recovery came out very different from Relapse, and I think it deserves its own title." Eminem has sold more than 78,000,000 albums worldwide. After 1999s quadruple platinum The Slim Shady LP, The Marshall Mathers LP (2000) and The Eminem Show (2002) became two of the Top 5 best selling albums of the 2000s, with approximately 10,000,000 copies of each sold in the U.S. alone. 2004s Grammy-nominated Encore reached #1 and was certified quadruple platinum. The #1, double platinum, 2005 greatest hits collection Curtain Call: The Hits and #2, platinum, 2006 various artists compilation Eminem Presents: The Re-Up followed. Eminem - RECOVERY [New Official Album 2010] Release Date: 22nd June Eminem - RECOVERY [New Official Album 2010] Release Date: 22nd June